Swami's Thoughts and Explorations

My New Photography Page on Facebook !

2011-08-31T15:47:00.001+05:30

Please visit my Photography page on Facebook and give your feedback (Link Below)

Natarajan Swaminathan Photography

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Velachery Temple Walk: The Greatness of Devotee

2011-02-24T14:33:00.028+05:30

Today we are going to join Pradeep on his Velachery Dandeeshwara Temple Walk... So Hop in !!!!

"Oh, the Lord with vEl (Divine weapon of Lord Skanda), if you ask what is big, world is big. But the world was created by BrahmA. Brahma was born in the navel of Vishnu. Vishnu sleeps in the ocean. The ocean was drunk by Agasthya. Agasthya was born from a pot. Pot is a small grain (in size) in this earth. But this earth is hold by the serpent in just one head. But that serpent is a small ring in UmA's finger. UmA is there in one part of Siva, Siva is in the heart of the devotee. So the greatness of the devotee is great to explain." (AVVAIYAR thani paadalgal)

(The above line expresses the true power of the devotion and it is the same devotion has helped this temple to survive till date without any major donation from the royalty)

Pradeep in his poetic best.....

About the Place : Velachery once a southern Outskirt of Chennai is now a bustling place full of life. In its current avatar it is a place of IT companies, Commercial Establishments and lavish apartments. But even in this hustle bustle, once a Brahmadeya (Gift to Brahmans) has lost its old charm but still holds its old identity as place of rich tradition and Heritage.The Dandeeshwara temple, even though a temple with bare structure and little history, this temple encapsulates a dynamo in form of inscriptions and inscriptions. There is no records of how the temple came about but the features of Sanctum Sanctorum including Dwarapalakas inside points out a Late Pallava Era most probably Pallava King Dantivarman which might have influenced the name of the temple also.

Valuable Inscriptions in the Temple

According to Wikipedia: Velachery was known as Vedashreni (meaning "Abode of Vedas") and Vedanarayanapuram during the Chola period. Eventually, the Tamil word Veyl that represents King or the Leader that also denotes Lord Sri Narasimha Swami Sri Vedanarayana Perumal is one of the deities of the Sanctum Sanctoram of The Yoga Narasimha Swamy temple. He has a wonderful form with a Prayoga Chakram on His right hand aimed at destroying the evils haunting the devotees.

Beautiful Lingothbhavar

Sri Yoga Narasimha Swamy Temple is one of the ancient temples in Velachery which historians have rated to be of more than 1300 year old. This temple is presently being renovated completely and is expected to be consecrated by end of this year. The temple is surrounded by streets with traditional names (Brahmanan Street, Telugu Brahmanan Street etc) denoting the presence of an Agraharam (residence of Sri Vaishnavites typically around the temple). One could also see innumerous houses that still are hosting the ancient construction styles, but the agraharam as such does not exist anymore around the temple as the houses have been taken over by new Constructions (en.wikipedia.org/wiki/Velachery)

A Close-up

Note: But a recent discovery in the Yoga Narasmiha Temple has brought a new meaning to the Velachery, which is Vela (Outskirts) + Cherry (Settlement) Link to the Article

Unique Vrishiba Vahana at Temple

The earliest Saptamatrika temple is in Velachery’s Selliamman temple at Velachery, to the right of the Velachery main road (Across the Dandeeshwara Temple). Saptamatrikas are the guardians of water bodies suggesting that the current teertham (Temple Tank) was a major source of water at ancient times.

Temple Flag Staff

We will be looking various aspects Related to Velachery and its temple in detail now

The Rise of Subsistence Economy

Beautiful Placed Shiva Ganas in the Temple

It is said that necessity is the mother of the all inventions and that did play a role in development of Self Sufficient Village Economy to prosper. As the mode of communication was in its primitive stage at ancient time, people in a village formed the group to manage their livelihood resulting in subsistence form of economy. So this was a kind of feudalism the persisted in ancient times where a chief in the village had the control over the revenues and produce from the production. But due to the irregularities and corruption, there arise a need f0r a system to be put in place which help the village as well as the exchequer of the empire. that is where temple played a great role in the Southern India. We see an existence of highly developed autonomous rule in these villages

Beautifully Placed Shiva Ganas in the Temple

Role of Temples in Chola Era

When temple started performing the function of collecting revenue, there was a system in place and accountability in place. These temples which were a mini economy in themselves started providing exchequer healthy revenue and to reward these temples royalty started the practice of generous land grants to temples and their Brahmans. If the royalty was extra pleased with these temples or the temple was very important in the eyes of royalty then the whole taxes from these temples were waived. Making Temples as the medium of revenue collection was one of the greatest economic decisions taken by then kings which were more efficient than today's Tax Collection.

The large empire of Cholas thrived because the Local Bodies followed the protocols to the dot with full integrity and commitment even with the primitive communication modes.

When it came to punishing the guilty and defaulters, nobody was spared. Defaulters were handled with heavy hand and punishments meted out to them acted as a lesson to other.There are instances where people have committed suicide to escape from the punishment.

The Concept of Brahmadeya and Rise of Local Governance

The land grants given to religious institutions were called Brahmadeya, (i.e. Donated to Brahmins) Devadana (Donated to Gods) and Agrahara (For Highly Learned Brahmins).

Pradeep answering queries of "Walkers"

Administration of Brahmadeya villages was carried out by Group of Elite Brahmins and Land Owners came to be known as Mahasabha that laid the foundation of Local Governance.Uttaramerur inscriptions or what we can call a World's Oldest Constitution records the functioning of one of these Mahasabhas in detail. The Rules Followed by these Mahasabhas was so just and proper that if implemented today many of our politicians will not be qualified to run.

Beautiful Stucco Work at Sellaiamman Temple

In Chennai we find majority of these inscriptions in Madambakkam, Tirusulam, Velachery, Tiruvittyur,Chengulpet and Tiruvanmyur (Places where these Mahasabhs Existed) . One more striking feature of these Mahasabha was that they did regular business with other Mahasabhas and also recorded the same as inscriptions in their temple because of which we know about existence of these mahasabhas in other locations.The Local Economy was thriving in these times so was the empire.These Mahasabhas were the eye of Chola kings and enjoyed many benefits.

Another Beautiful Stucco Work at Sellaiamman Temple

The success of Mahasabhas ensured that Chola Kings designated one Brahmadeya in each of the Provinces called Nadu. Mahasabha therefore became the greatest find of the Later Pallava era. These Mahasabhas were later refined in Chola era and were named Vaariyam, the Current system of Corporations.

Beautiful Stucco Vimana at Sellaiamman Temple

Velachery a Brahmadeya itself came under Thondaimandalam Nadu and Kotturpuram Ur (The Present State -District Level).From the inscriptions we know that Velachery had 5 committees to handle day to day activities.

In Velachery, we know from the inscriptions that there was a Structured Administrative Body in place to take care of village.

These were:

The Alunganathars (Executive Committees having one or more member)
The Eri Variyam that took care of lakes and water bodies;
The Pon Variyam checked the quality of the gold donated
Guarding of the temple and Village was done by the kavalkarars (Local Police)

Temple as a Mini Economy

Temple in Ancient times like the one in Velachery and even today played the role of a mini economy in themselves. they provided employment to many in form Upkeep and Maintenance. Even Donation from the patrons resulted in generation of employment and revenue.

As the Temples Enjoyed a high position in the Empire, People from all walks of life started donating to the temple esp. Rich Landlords. Many Treated donations to the temples as a kind of status symbols therefore High Donations Meant Higher Position in Social Circle. These Donations were mostly in form of the Cattle and Precious Metals. Special People were hired in temple to check the standard of Gold and other precious item that were donated to temple.

In Case Of Cattle, the two main purpose of donating these cattle were to light the Temple Lamps using butter and producing milk to be used for Religious purposes. To maintain these Cattle, donor was asked to pay for the maintenance of the Cattle. For maintaining these cattle, People from the nearby village were employed. The Size of the some of the Cow Pen these temples had was enormous and the produce was gigantic in proportions. This opened new avenues of employment. The remaining Produce from these cattle after the consumption by temple was sold in open market hence generating more revenue.

From Inscriptions, we come to know of an interesting instance of a donor from far away Aarkadu(Arcot) having donated for building the Small Ganesha temple inside the temple.Showing the strong flow of communication among the provinces especially about temples.

Hence we see a case of Hybrid Administration and mini economy running within a local economy in ancient southern India.

I am thankful to Pradeep for his efforts and bringing such a vast knowledge he possess to novice like us. Incidentally this is Pradeep's 30th Walk.

A Thing or two about Keerthimukha

Keethimukha Among the Shiva Ganas

During the temple walk, I was able to see Keerthiukha among the Shiva Ganas.

The worship of yakshas and ganas and other folk deities constitutes the most important part of the primitive religious beliefs, in which 'Bhakti' had a very conspicuous part to play. Early literature as well as archaeology supplies us with ample evidence about the prevalence of this form of worship among the people.

This terrible looking mask with animalistic ears and horns is once again, Shiva's favourite. The tale of its creation goes like this: Once, infuriated by a yaksha's insolence, Shiva created an ogre to eat him alive. The yaksha begged for mercy and Shiva, whose temper falls faster than it rises, let him go. "But what about me?", asked the ogre who had just been created. "I was created to eat the yaksha. What will I eat now? I am still hungry". "Eat yourself", said Shiva casually. The ogre took Shiva's word seriously and began eating himself. He ate his hands, his legs his trunk, he ate every part of his body and was left with only his head.

Shiva was amazed at the ogre's obedience. He said, "I'm pleased with you. Henceforth, you will be known as Kirtimukha, face-of-glory. Your face will be seen on every arch, located even above the gods."

So it is that on every arch, in every temple and shrine, on the arches one finds the terrible yet blessed face of Shiva's gana, Kirtimukha. It is the perfect symbol of life, feeding on itself for survival.(Courtesy:www.exoticindiaart.com)

Our Expert Reader Kathie Adds

"Dear Swami, glad you spotted that belly-face. I've been collecting them, wondering if they appear in the same position on different temples. This guy, tho, isn't just a face. He has a full body also. It's like the gana w a belly-face on 'descent of the Ganges' Mallai, standing next to Lord Shiva, where Shiva gives Arjuna His weapon, Pasupat-astra. Dr. Nagaswamy has called it "Udaramukha" or "kabanda"."

Want to join us:

If you are interested to join us in future Temple Walks.
Please contact Pradeep : pradeepandanusha@gmail.com

As Always your suggestions and feedback welcomed!!!

References

http://tech.dir.groups.yahoo.com/group/IndiaArchaeology/message/8631
http://win2vin.wordpress.com/2009/10/27/brahmadeya-devadana-and-agrahara-land-grants/
http://www.hindubooks.org/sudheer_birodkar/hindu_history/landfeudal.html

The Colours of Diwali , the festival of Lights in India

2010-11-21T08:54:00.000+05:30

The different colours of Diwali from the Terrace of my home ! Hope all of you will enjoy !!

Hope you Enjoyed :) !!!!

Few Drops from the Ocean of the Hoysala Architecture ! (Soapstone Wonders)

2010-11-21T08:36:00.003+05:30

A Picture is worth thousand words.... Therefore Let the Pictures Speak for Itself

Ugra Narasimhar at Belur

Shoo Shoo in the most Artistic Manner, Belur

Gajasamharamurti , Belur

The Royal Emblem of Hoysala Dynasty, Belur

The Bejeweled Gatekeeper... The Dwarapalaka with innumerable Ornaments at Halebeedu

Dancing Ganesha, Halebeedu

The Dance King... Nataraja

Lord Subramanya

Govardhanadhari Krisha having whole village in it at Halebeedu

Enjoyed the Droplets , To Get an out of the world experience the Real thing... Visit Belur/Halebied/Somanathpur !!!

Madambakkam Temple Walk: When Curd Meant Fortune.

2010-11-05T11:50:00.072+05:30

Skanda at the entrance of Madambakkam Temple

No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.

- Gautam Buddha

The above quote perfectly summarizes the topic on which I am going to touch upon today. A walk , an effort to reach out and conserve our heritage. A Walk which started with a single step that has now become an achievement of sorts for one person,Heritage Enthusiast Pradeep Chakravarthy.

The Date was 30th Oct 2010 and I was raring to participate in my first "Walk". But there were dark clouds looming large in the skies threatening to ruin my plan. The weather Forecast was also not any heartening. I was praying to rain gods to delay their plans if any for the evening.

The Walk was called "Temple Walk" arranged by the Pradeep. The walk mostly is mostly topical in nature. The walk I was going to attend was happening in Madambakkam Dhenupureeswarar Temple. The temple has a long history having got patronage from different dynasties starting from Cholas to Vijayanagar Empire. The temple is dedicated to Lord Shiva. The temple is near to my place in Chennai so there was a strong reason to attend the Walk. (For More Info on the temple, please refer to Reference Section)

Beautiful Image of a Damsel at the Entrance of the temple

I reached the destination half an hour before so I don't miss on anything. There I met fellow Heritage Enthusiasts from different walks of life having a high pride and passion. Meeting fellow Enthusiasts was very pleasing experience and knowing that there are many who share you interest is a very satisfying experience. The meeting was more as ever special as that fellow enthusiasts who came were truly interested lot as they braved gloomy weather and not so heartening forecast.

Pradeep came before time and was raring to start the walk. His excitement was evident by his way of speech and expressions. His excitement rubbed off on us also in a way.

History behind the Temple

After a small introduction the Walk began with a nice recital of a verse from Arunagirinathar's Magnum opus Thiruppugazh in his Poetic voice. The Literary work has the oldest mention of the temple. This bit of information was bit surprising to me as I always thought this temple being revered as a Shiva Temple only.

Figures which has the features of Far East

Pradeep then dwelt upon the history of temple with specific mention of the Beautiful Pillars in the Mandapam. He informed us that temple was built by the minister Anirudha Bramadhirajan of Sundara Chola (10th AD) , father of Great Raja Raja Chola . The area was known as Anirudhamangalam during Chola's era.It was fascinating to know that Anirudha is the main character in Kalki’s Ponniyin Selvan. . It was recommended that we read this great work of art to know more about Chola Empire .This great work of art has helped in igniting the minds of many on drawing attention to heritage.

The Madambakkam of today started as a small hamlet which prospered around this temple built during Sundara Chola's time. The interesting point to note is that in due course of time, the fortune of this temple reversed as it got the ownership of the whole province from the Vijayanagar Rulers. Thus having a meteoric rise in its stature.

An Epigraphist's Dream

Inscriptions were diligently employed by Chola rulers to record the history and what better place to store them than temples.These inscriptions acted as a sign post of King's Accomplishments and Records for the eternity to see. The story is no different in Madambakkam temple.

The Present Sanctum Sanctorum (Garbha Griha) enshrining the Shiva Linga , being the oldest structure in the temple is shaped in the form of Elephant's Back commonly known as Gajaprishtam in architecture sense. The outer walls of the Sanctum Sanctorum and its adjoining walls are of great interest to the Epigraphists.

Being as it the replete with inscriptions from different dynasties. Pradeep informed us that inscription were written from Bottom's Up i.e. Oldest inscriptions will be at the bottom.There is a also a small reference to Sundara Pandyan which is a rarity.

Vijayanagar Empire's Contribution

The Considerable built up around the Sanctum Sanctorun is supposed to have come up during the reign of Kulotunga Chola I which was enhanced by the later dynasties specifically the Vijayanagara Empire.It was pointed out to us that the construction during Chola Era seems to be have done with lot of time to spare whereas there is sense of hurried when it comes to that of Vijayanagar Empire Structures. Even then there was commendable job done by the Vijayanagar Sculptors. The Major addition being the Pillared Mandapam (Hall) and the outer Fortified Walled Perimeter.

Vijayanagar Sculptors seemed to have had a tough time as the empire was in constant war with Muslim invaders who were bent upon destroying temples. A reminder of the hard times faced is the incomplete Gateway without a Gopuram topping it.

Even then the commitment shown by these artists even in the hard times is really commendable.One can only imagine how the temple would have looked in its complete form with enchanting Gopuram and Completed Mandapams. The explanation by Pradeep really took us back into the Chola Era.

Corporate Governance, Chola Style!

Even though Chola Empire at its zenith stretched till Vietnam, the Empire was held together in an ingenious way by the Chola rulers. It is amazing to note that in the age when there were no emails or faster transportation modes, Chola rulers kept the empire in good shape for a long period of time. We were enlightened on how the Chola rulers employed ministers purely on the basis of merit and delegated the complete authority to govern the provinces assigned to them under the governance of body called "Mahasabha".

There is a reference of Madambakkam Mahasabha in one of the inscriptions found in Varaha Swami Temple of Tiruvadandai, Chingleput Taluk, Chingleput District which show the coordination between various Mahasabhas. (Please refer to reference Section)

Pradeep underlined on how this implementation stands out as a Classic and Historic case of Modern Corporate Governance. A perfect example can be seen in the case of Anirudha who was Brahmin by caste.

Flag Post at Madambakkam Temple

The highly developed Local Governance which existed at Chola times will put to shame the current setup. It was not only the set of rules but the way it was whole heartedly implemented made this setup a huge success and guiding factor behind the acclaimed rule of Chola Dynasty. The World Famous Uttaramerur inscriptions are the living example of the Legislative Assemblies that were employed in Chola times to govern the Local provinces.

One of the major duties of these provincial heads was to collect various types of taxes and fill the treasury of the empire. In return Kings gifted these ministers with lavish titles and gifts to maintain motivation levels. It was highlighted that how these Kings employed the Modern Motivation Theories (Maslow) without going to any Business Schools in their day to day Governance. The policy of give and take was employed at the highest levels during Chola times. The Optimal implementation of Johari Window Principle had worked wonders during this era i.e. you are OK and I am OK

The Strange case of the Curd

Inscriptions in the temple show that the donors to the temple who mainly took the responsibility of maintaining the Oil lamps were asked to help in generation of Curd and upkeep of the Cattle. The Generation of Curd was given the highest importance and given a status of a Fortune. It is amazing to note that how the importance of simple items like curd in today’s time played such a important role in ancient times.

Taxes Galore!

Inscriptions in the temple shed a good amount of light on the taxes that were existent during the times of different Dynasties. These taxes also give a fair amount of idea on the type of commerce that was prevalent.

Some of the taxes that are mentioned in the inscriptions are:

Fishing Tax (Erri Meen Pattam)
Farming Tax
Market Tax (Sandhai Mudhal)
House Tax (Vasal Vari)
Weaver Tax
Tax collected for Village Watchman

We ended our walk with a message from Pradeep that we should be proud of our heritage and contribute in conservation of our rich heritage which is getting lost due to ignorance and unscientific restoration.

Once a highly influential province, Madambakkam of today is now a outskirt of Chennai city but in some ways it has helped the place mantain its erstwhile charm. We left the place energized and with the exciting thought of joining Pradeep in his next walk which is scheduled to take place at Velacherry's Ancient Dhandeeswarar temple.

Interested in joining us! Please Contact Pradeep (pradeepandanusha@gmail.com)

As always your feedback is highly appreciated ! Your feedback will help me in giving you better info.

Footnote:

It is interesting to note the Origin of the names of the vicinity:

Madambakkam:

Madam Originated from the word for Cow in Tamil and also due to the Dhenu from Dhenupureeswarar, which means Cow in Sanskrit.

Rajakilapakkam or Rajakizhapakkam:

Supposed to have come up because the Chola kings seem to have to come to village to visit the temple which he saw in his dream and met the common people. that is why Raja (King) + Kizha (Came Down to meet public).

References:

Below is the Extract from Thiruppugazh (Courtesy: www.kaumaram.com)

============================================================

701 Thodurung Kuzhai

Thodu Urum Kuzhaiyale Kol Valai Cudu Sem Kaikalale: With Their Ears Wearing The Stud Called Thodu And Swinging Ear-Studs, With Their Reddish Arms Wearing Robust Bangles,

Yazh Tharu Keetha Men Kuralale Thu Mani Nakaiyale: With Their Sweet And Soft Voice That Sounds Like The Music From Yazh (A String Instrument), With Their Pure And Sparkling Teeth,

Thumam Men Kuzhalale Uriya Then Ilangu Ithazhale Ala Vilosanangalinale Sopitha Azhakale: With Their Silk-Soft Hair Dried In The Smoke Of Fragrant Incence, With Their Moist Lips Tasting Like Honey-Drip, With Their Eyes That Look Like Alakala Poison, With The Radiance From Those Eyes,

Padakam Punai Thalale Mika Veesu Than Pani Neerale Valar Para Kongaikalale Koliya Vilai Mathar: With Their Feet Adorned By The Anklet, Padakam, And With Their Huge Bosom Spruced Up By Smearing It With Aromatic Rose Water, These Whores Hook And Pull (Men) Towards Them;

Pavakangalinale Yan Mayal Muzhki Ninru Ayarathe: Lest I Am Enticed By Their Treacherous Acts And Drown In Delusive Passion,

Nupura Patha Pangayam Meethe Alvathu Karuthayo: Will You Not Kindly Consider Taking Me On Your Lotus Feet Adorned With Anklets?

Nada Arum Sudar Thana Othu Siva Akamangkalin Nana Petha Anatha(Ne): In The Treatises Of Siva Agamas Which Describe Lord Siva As An Effulgence Beyond Comprehension Of Any One Who Seeks To See It, You Are Praised By Several Diverse Principles As The Supreme Lord Who Does Not Have Any One Superior To Him!

Thanthra Kala Ma Pothaka Vadivaki Nal Vitham Tharu Vetha: He Is Of The Form Of Pure Knowledge As Described In Scriptures On Meditation (Manthra) And Mysticism; He Is Lord Brahma Who Preaches The Four Vedas, Namely, Rigg, Yajur, Samam And Atharvanam;

Vethamum Nadi Ninrathu Or Maya Atheetha Manolayam Tharu Natha Ariru Puyavele: He, Along With The Vedas, Seeks You As The Lord Who Transcends Beyond The Reach Of The Matchless Delusion And One Who Gives Tranquility! You Are The Lord With Twelve Hallowed Shoulders!

Val Thayangiya Velale Poru Cur Thadinthu Arul Veera Ma Mayil Eru Kantha Vinotha Kuru Ena: "Oh Valorous One, You Destroyed The Battling Demon Suran With Your Bright Spear! You Mount The Great Peacock As Your Vehicle, Oh Kandha! You Are Full Of Miracles! Please Teach Me!" -

Aranar Mun Vasakam Piravathor Njana Suka Uthayam Pukal Vasa Thesika: So Said Lord Siva To Whom You Preached The Meaning Of Pranava Manthra That Generates A Bliss Of Knowledge That Cannot Be Created Through Description By Words, Oh Great Master!

Madaiyam Pathi Vazhve Thevarkal Perumale.: You Have An Abode In Madambakkam*, Oh Great

Treasure; And You Are The Lord Of The Celestials, Oh Great One!

Beautiful Ganesha Pictures

2010-09-25T12:49:00.008+05:30

Dear All,

Sharing the Pics of Beautifully done Ganesha's Decoration by the temple priest during Chathurthi Celebration at my locality VGP Srinivasa Nagar Rajakilapakkam Chennai.

The Original Idol has only one head, the decoration doesnt give the sense of that at all !!!

Hope you all will enjoy the pics

As Always your feedback is highly appreciated....

Beautiful Ganesha / Vinayaka Decoration

MAHABALIPURAM: Unfinished Poetry in Stone: – A Layman’s Review

2010-09-12T11:33:00.006+05:30

“A Picture is worth thousand Words”

I was always looking for a book on Mahabalipuram which is at a layman level explains the treasures of Mahabalipuram offered. Even though there are many books on Mahabalipuram but I found most of them having lot of texts or having low resolution Illustrations. I am that kind of a person who doesn’t like to read too much of text sans illustrations or few. Let us admit, learning History through Amar Chitra Katha was far more interesting and intriguing than reading our School Texts. That is Amar Chitra Katha Stories are still one of the most sought after Comics and Collector’s Item.

Even during my recent visit to Mahabalipuram, I Missed a companion and a guide as I found that even the ASI approved guides lacked basic information on the sites and in fact were concocting their own version which I found very disturbing. I believe misinformation is more dangerous than having no information at all.

When I posed the Query to my good friend and Architecture Guru VJ, he asked me wait for sometime as his Guru Mr S Swaminathan (A Heritage Expert) was in process of compiling a book on Mahabalipuram. Knowing VJ’s Taste and Knowledge, I was sure that it is going to be a masterpiece and decided to wait for the Book.

After a while, the much awaited news came in the form of a post in VJ’s Magnum Opus (www.poetryinstone.in), in which he informed on the Book Finally coming out of the press and finally within the reach of the patrons. Being Impatient and Eager to get my hands on the book which is still awaiting a Formal Launch, I contacted Mr Ashok Krishnaswamy through his email id (arkeygraphics@gmail.com) available on VJ’s Post.

Frankly speaking, before getting my hands on the book I could gauge that the book is going to be par excellence. My self-belief was the outcome from two aspects; the person who recommended (VJ) and the author Mr S Swaminathan.

I am very delighted to say that I was right; the Book is really a masterpiece which has not been attempted till now on Mahabalipuram. I would like to thank and Wish all the people involved in making of this masterpiece.

The Fun ride starts right from the title itself; Mahabalipuram “Unfinished Poetry in Stone” which is totally apt. Association of the sculpting to the Poetry portrays the passion of the author towards the subject.

The Chapters in the book flows like a soothing stream of a river, portraying the author knowledge of the subject and most importantly its readers. Starting from the brief introduction to South Indian Temple Architecture, the author gradually takes the reader to the Pallava Temple Architecture and then finally to the “Unfinished Poetry in Stone” i.e. Mahabalipuram. I have never such a detailed and interesting explanation of Panels like Arjuna’s Penance. The level of importance given to readers is highly appreciable.

The Icing on the cake is splendid and articulate photography by Mr. Ashok Krishnaswamy. A Heritage enthusiast himself, his photographs portrays and answers many questions we as a viewer and reader have regarding various works of arts in Mahabalipuram. Once you start going through pages you will find it hard very hard it keep the book down. The glossary at the end of the book supplements the main text in very nice way.

Finally I got what I was longing for so long and I strongly believe that it will be answer to many of the heritage enthusiasts like me and you. Our Companion to Next Trip to Mahabalipuram has finally arrived.

My Sincere Request to the author is to bring out a similar work on Kailasanatha Temple of Kanchi.

Just Go For it !!!! I Say !

Update:

======

Now for the benefit of enthusiasts, the book is available on Flipkart !

http://www.flipkart.com/mahabalipuram-swaminathan-ashok-krishnaswamy-unfinished-book-8191020203

Beautiful India

2010-08-01T19:43:00.004+05:30

Hi All,

I would like to share two Snaps which I could not resist taking en route to Chennai !

Missed having my camera handy so had to use my mobile.....

Hope you will like it :)

Beautiful India

As every time .... your feedback is highly appreciated !!!!

REACH : Where "INDIAN HERITAGE REVIVAL" is the Mantra !

2010-06-12T18:49:00.009+05:30

Today I would like to share with you all, information about a Dedicated Organization formed with a dedicated goal of not only preserving our heritage but also informing us all on how to carry forward the gift of our ancestors forward.

REACH is involved in lot of great works including renovation work at Kailasanatha Temple Uttaramerur and Varadharajan Temple at Kanchipuram.Headed by Great Person like Mr Satyamurthy (Ex- ASI Chief, Southern Region), the group is proactive in its methods which enable it to find places which are remotest of remote. The like minded members of the groups are its major strength and act as a source of inspiration for many like us.

One thing I like the most about the Organization is that REACH makes learning about the past an enjoyable experience by combining the Stalwarts from the respective fields like Epigraphy using innovative means like Field Trips and Seminars. The regular course in Epigraphy is one of REACH's famous activities.

Instead me commenting more on them , I would like you all to see the work Done by the Group which shows their Dedication and Spirit.

Please find Links related to Organization below:

http://reachhistory.blogspot.com

http://templesrevival.blogspot.com/

http://groups.yahoo.com/group/temple_cleaners/

www.conserveheritage.org

Happy Reading !

Hesaraghatta Grasslands : Savannah of Bangalore

2010-02-06T08:31:00.008+05:30

While attending a photography workshop by famous photographer Mahesh Bhat (www.Maheshbhat.com) recently , I came across one of the most beautiful landscape I have ever seen. The place is a breeding ground for some migratory birds of prey from Central Asia like Brahmani Kite. This place is also home to the endangered primate Slender Loris.

It is surprising to note that there are so many hidden gems near us waiting to be explored. So What are you waiting for , pack your backs (don't forget your camera) and get going !!!

The place needs conservation and our attention as the possibility of it becoming a victim of Blind "Development" that is plaguing the Bangalore is looming large.

Lets hope that this unique place remains the same for the times to come.

I have shared different facets of the place for you to enjoy !!!

Other Places to visit:

Hessarghatta Lake: is a favorite spot for Bird Watchers. It was once a major source of Water for Bangalore.

Nrityagram: This "Village" of Dance is worth a visit for Classical Dance Lovers.

Different Texture of Nature in Hessaraghatta

"Pillars" of Vijayanagara Architecture - Kancheepuram

2010-01-07T14:01:00.052+05:30

Kancheepuram, a city famed for its multitude of Temples, is a microcosm of different styles of Dravidian Art and Architecture. Every dynasty that held sway over this sacred land seem to have competed with each other in building more elaborate and exquisite structures, the highlight being that they built new without destroying the older ones. Thus each Dynasty left its indelible mark in the form of architectural Splendors.

In my Previous Post I had covered a Masterpiece of the Pallava King Rajasimha, Continuing the emphasis on Kancheepuram, I will be covering an exquisite piece of art gifted to us by the Vijayanagara Dynasty this Time.

It is said that one should not judge a book by it cover and the same holds true for this structure.Sporting a very humble appearance from outside this structure holds a Treasure Chest in terms of Art and Architecture.

A Simple Looking Rusty 100 Pillar Hall from a Distance at Varadaraja swamy temple in Kanchi

"Noor Kaal Mandapam" (Hundred Pillar Hall) in Sri Varadaraja Swami Temple is a lesson in architecture by itself. The ceiling of the hall is supported by some of the most exquisitely carved Pillars one can ever see. In Middle of the hall we have a raised Stage for the Gods to be Kept during Temple Festivals. These Pillars are the epitome of hard work and perfection. Surrounding these Huge pillars.

The love of Horses has resulted in created a unique style of Vijayanagara architecture which is visible in Srirangam also.Mainly Consisting of Different scenes of Horsemen in various Poses from war, each sporting a unique headgear; This hall stands as a testimony to Vijayanagar Empire's Flourishing Trade with Outside World and their Advancement. Many Horses from Arab were brought by Vijayanagar Emperors and also many Arabs and Portuguese were recruited in the army.

Same Diversity is reflected in these pillars also. We see in these pillars , people from different walks of life, be it a native, an Arabian or a Portuguese. Also seen in the same complex are different facets of Vishnu's Avataar and scenes from day to day life.

During my second trip to the temple, I was fortunate enough to see this work of art in detail. I would like to share some of the glimpses of the craftsmanship below for you all to enjoy.

There are many "Easter Eggs" for visitors to find here... So one should be slow and steady when observing this work of art.

I have tried to present some of the gems from this treasure of art below:

The surprises starts at the entrance itself with a life size Beautifully Carved Yaali
(Mythical Creature) on the Outer Side of the Step Support.

On the other side, a Small Beautifully Carved Krishna. Mesmerizing to see.

What a contrast Big Outside and Small inside.

Surprises Everywhere, in Nook and Corner
(A Mother Preparing to Feed her Baby)

Bow of Shiva being brought for Sita's Marriage

Rama getting ready to tie the Bow

(Note the Dance Like Posture and the Holding of Bow.. Artistic ! )

A Lady in thoughtful Mood

(Probably Sita in Ashoka vanam)

An Insider's View

The Human Wheel

The Divine Tank and the Mandapam under which the original Diety (Atti Varadar) is in a silver casket . The deity is taken out every forty years for 45 to 48 days .The last occasion was in 1979 and the next will be around 2019...

The Horse Rider (An Arab) with Coat and Trouser

(We are talking 15th Century here)

A Vijayanagar Style Hunting Scene in Progress

(A Well Coordinated Attack)

Other Side of the Above Image

Musical Weapon - Xylophone in Stone

(Vijayanagar Sculptors had mastered the art of creating musical instruments out of Stone)

Another instance of Xylophone in Stone

A Lady getting ready for an Outing?
(So it seems.....)

Actually she is getting ready to feed her baby and is covering the Baby

A Conjoined Triplets

A Native Riding a Horse with his Support Person

(Notice the attire of the Support Staff, It is a trouser and Coat probably a Portuguese)

As in all the Pillars here , The above is also sculpted out of Single Stone !
(Simply Marvelous)

Notice the Attire Posture and Expression of the Horse !

Chain made of Single piece of Stone are at all corners of Hall
(This particular chain was broken and mended with a steel link)

At the End of the Chain there are parrots having a fest on a flower
(What a Masterstroke from the Sculptor, Just can't imagine the effort involved)

A Life Size like figure of Rathi riding on her Parrot

Monkey Business: A Sculptor's Imagination (Of the same stone as Rooftop)
(A Monkey Playing Spoilsport among Pigeons)

A Cat on the Prowl
(Carved out of Roof Top, Just Incredible)

Love is Blind, So is the Spectator !

(Two Pigeons Embracing & A Pigeon busy viewing even though there is a vicious cat on charge literally on their Back)

I Hope that I have created enough Curiosity in all of you to visit the place with Lots of Time in hand.

As you can see in many pictures, the sands of time have literally put a layer on these sculptures but when i visited the site there was a restoration process was in progress. Hope that this will bring out the original beauty of these Sculptures to the forefront.
As always, request you to give your valuable feedback !

Note Of Thanks: I would like to thank my friend Vijay and Mr. Vinayagamurthy for making my visit a grand Success.

About the Place: Being one of the Most revered Site esp. of Vaishnavite, the main shrine of temple is built on a small hillock known as Hastagiri. Adding to the sanctity of this temple is the Ancient and Original Idol of the Temple which is made up Atthi Maram (Fig Tree Wood).

There is a unique custom associated with this idol; the Idol is safely stored in a silver Casket in the Temple Tank and Taken out only once in 40 years. The place was frequented by Vedanta Vaishnavite Guru Sri Ramanujan and his search for his eternal guru got fulfilled here.

References:

http://en.wikipedia.org/wiki/Varadaraja_Perumal_Temple
http://en.wikipedia.org/wiki/Vijayanagara_Architecture
http://www.poetryinstone.in/lang/en/2008/08/31/just-a-chainin-stone.html
http://www.poetryinstone.in/lang/en/2008/09/22/just-a-chain-in-stone-part-2.html
http://en.wikipedia.org/wiki/Mandapa
http://en.wikipedia.org/wiki/Ramayana
http://en.wikipedia.org/wiki/Rati

Pallava Architecture : Kailasanatha Temple - Kanchipuram

2009-12-28T12:00:00.045+05:30

Kailasanatha Temple - The Sandstone Wonder

Beautiful Mini Rathas at Kailasantha Temple in Kanchi

Kanchipuram known as the city of 1000 Temples. Praised as a Model City by Kalidasa i.e. "Nagareshu Kanchi", holds great treasures in terms of art and architecture.

Shiva in an Unique Form of Bikshu

(Notice the Hair Style and Detailed Attention given to the Sandals)

A Close Up

Situated in the secluded western corner of the city, this great work of art is given a miss by many mainly due to lack of information. But still one will be amazed to see the crowd of foreigners overwhelming the locals at many occasions.

Shiva Killing Demon Form Ignorance
(Realistic Expression of Anger and Fear)

Built in late 7th Century by Pallava King Narsimhavarman II commonly known as Rajasimha who being an ardent Shiva Devotee was also a great lover of art, Rajasimha named the Main deity , a Shiva linga as Rajasimhesvara. The temple is simply a poetry in stone and a grandeur outwitted only by Structures at Mahabalipuram, built by the same king. The temple was his way of quenching his Spiritual and Artistic thirst at the same time The temple Structure holds around 300 titles of Rajasimha and that too in different scripts.. a grand feat for any king.

Hanuman Meeting Sita in Ravana's Ashoka Vanam
(Notice how Ravana is portrayed in the depiction)

Sita is portrayed as a Small Shrine

Supposed to be built on the lines of Mount Kailasha , the abode of Shiva. The temple hosts an outer wall in form of "Rathas" which results in creation of a passage for the devotees also known as "Sandharaprasada". There is ample proof that many parts of the temple structure were once covered in Natural vegetable Colours. At present only fragment of the same exists if one pays close attention to the structures.

Mahishasuramardhini

The temple sports a courtyard with Nandi in a Mandap supported by four pillars. While entering it to the temple we are faced with a smaller Shiva shrine built by successor of Rajasimha, Mahendravarman II.

The Majestic Goddess riding her Lion...

Note the Expressions ...A Grin on Face

Built of sandstone with Stone base, the temple stands testimonial to the prowess of Pallava Architects and Sculptors. The first thing that will hit you while entering this temple is the "Cell" like Structures (58 in all) forming the outer wall with perfect symmetry and spacing providing a mesmerizing viewing.

Ravana Bearing Mt Kailash on his Head
(Notice How Ravana is shown to be buried in ground due to weight of Mountain
and
his chest belt is in motion as if he is trying hard.
At the same you can notice a grin on the face of Shiva and Parvati above)

Looking Closely we see another Somaskanda (Family) Figure
(Notice the Smile)

Remember our old Drawing classes where we were told to have margin around the pictures, now implement the same on stone and we get Cells as a Margin to work inside. Another aspect which is quite prevalent is the numerous Bulbous pillars with Lions in a alert position at the base, this shows Pallava's great interest with the Lion figures as it was their Royal Emblem.

One of Many Somaskanda Panels

The Concept of Somaskanda (i.e. Sa Uma Skanda - Shiva With Uma and Skanda in Middle), was prevalent among Pallavas and the love for the same can be seen all around in the form of Panels inside the Niches. This can be also taken as a proof that concept of Ganesha was not widespread during Early years of Pallava era which is mirrored in their Architecture also.

Lord Shiva the Cosmic Dancer
(This Pose is also called Swastika Mudra as it forms a Swastik...
What an imagination)

The evolution of Dravidian Architecture can be gauged by this fine work of art.The Gopuram (Entrance) is smaller than Vimana (Main tower of the Shrine) which was reversed during and after Chola era. Pallava sculptors were inclined in helping viewers understand their work rather than overwhelming the viewers which is signature of Chola Architecture.

A Unique Depiction of Ardhanareeshwara
Half Shiva Half Parvati at Kailsanatha temple

(Notice the change in Earings and Hand Bands. The Shiva side is having Snake around it )

The Giving Factor is Different rings on an each ear

Large Spaces around the Stone work stands as a strong differentiators with respect to later style of architecture like Cholas and Hoysalas who believed in even filling the smallest of spaces.

Beautiful Gaja Lakshmi

That is why Late Mr. Alexander Rea (Officer of Erstwhile Southern ASI) has rightly pointed out in his landmark book Pallava Architecture that as far as disciplined way of working goes there is no competition to Pallavas in Dravidian Architecture.

One of the Oldest Ganesha/Vinayaka Idol in South

(Pallavas Actually introduced the Concept of Ganesha to South)

Lot of similarities can be noted between the Murals and Idols of the shrine with that of Ajanta and Ellora. A shrine called Kailasantha also exists in Ajanta and Ellora. The detailed study done by Alexander Rea during British era stands as the single-most authority on this temple till date is regarded as the main reference. It is amazing to know that not a single publication by an Indian writer exists even after so many years of independence.

A Rare Depiction of Trimurti (Hindu Trinity) at Kailasanatha Temple

This temple had seen many wars and even at those times the victorious opposing camp were full of praise about the temple and spared the destruction. That is how future generations like us were fortunate enough to see this marvel.

Lord Dakshinamurthy in an unique and never before Looks

Even after the decline of the Pallavas , the structure continued to inspire many noteworthy among them was the great ruler of Chola Empire, Raja Raja Chola who visited this temple and named it as "kachipettu periya thirukatrali" (Big Stone Temple of Kachipettu). The temple acted as his inspiration for building the Great Big Temple at Thanjavur and also named the Shiva Linga as Rajarajeswaram on the lines of Rajasimha.The grandeur and size of Big Temple at Thanjavur was to compete with all the aspects of Kailasanatha temple.

The Famous Victory Pillar Inscriptions

The Inscriptions left by Chalukyan King Vikramaditya II on the temple Pillar stands as testimony for the same. This particular inscription describe how the invading Chalukyan king was overwhelmed by the Grandeur of the Structure and returned all the "booty" . With this he avenged his earlier humiliation by the Pallavas and engraved one of the oldest existing Kannada inscription.(See the Pic Above).

Shiva Taking a head of Brahma in Anger

Also he took famous sculptors from Kanchi and built a similar structure in his capital Pattadakal. It is amazing to note that the Chalukyan king saw the real value or wealth in art rather than the booty which speaks volumes about the skills of Pallavan Craftsmen.

Lion Rider with a Smile on Face

A Close Up of the Calmness

Moving inside to the main shrine, we are welcomed with the view of huge Shiva linga with a narrow passage around it, which makes this shrine peculiar is the Circumambulation (Pradikshana) . It is in shape of a tunnel believed to mirror a path taken by a child on the way to his birth from mothers Womb. While going through the Circumambulation, one gets nostalgic just on the thought that many kings and super personalities would have gone through the same ... Simply Magical isn't it. The 10 feet high linga itself is made up of different Cubical Granite Sticks which reflects in the outer edges being flat instead of being cylindrical.

Mahishasuramardini

The place was home to many beautiful Frescoes, some of which were lost due to tide of time but many were lost in the name of restoration. Many years ago, the structure was blindly covered in white plaster coating to avoid weathering which in turn destroyed lot of beautiful paintings.

Lost Murals

Zoomed In

At present Proper "Scientific" Restoration of Structure is in progress with help of Archaeological deptt and this has enabled partial restoration of few Murals but still many have been lost for good.

(Above) Lord Shiva Flanked by Lord Vishnu to his Left

One of the many names of King Rajasimha in Beautiful Pallava Grantha Lipi

One of the Lion Pillars
(Lion was the emblem of Pallava Dynasty)

It was my wish to share few of the droplets of info from the ocean that this shrine has to offer for the lover of arts. I hope that I have generated a little bit of curiosity for you all to visit this work of art in person. This temple is under the supervision of Archaeological Survey of India (ASI), who are doing a good job of preserving this priceless gem. I personally recommend that you hire a Guide from ASI when you visit this place, it is really worth it.

The Legendary Duel between Shiva and Arjuna

Note the Calmness on Shiva's Face

Note:Also try to visit the Vaikunta Perumal Temple in the City which depicts a completely different facets of Pallava Architecture and their advancements.

Harihara (Half Shiva and Half Vishnu)

(Axe in Right Hand and Conch in Left Hand)

The Multi Tiered Temple is a treat to watch with huge panels depicting the life of Royals and their Subjects in Huge Panels which is very much similar to the Panels found in Angkor Vat (Cambodia) thus showing the relation between Pallavas and Khmer Dynasty who share similar kind of ancestry.

Vishnu In Human form (Not Tortoise) holding Mountain in a scene from Samudramanthan

I Will Try to shed some light on the same in my future posts.

How to Reach:
Kanchipuram is about 75 Km from Chennai and is the nearest airport from Kanchipuram. Local Trains for Kanchipuram is also available from Chennai,.It is also well connected from Chengalpattu, Thirupathi, and Bangalore. Once in Kancheepuram, You can make use of Local transportation like autos and taxis.

Legend Associated:
There is a fascinating legend associated with this temple, It is said that when the date consecration of the Temple was just a day away, the joyous and pompous King Rajasimha had a dream where Lord Shiva appeared and expressed his inability to be present during consecration of the temple as he will be attending an another consecration on the same day of another ardent devotee, Poosalar. Rajasimha was asked to have the consecration on another day.

Narasimha Taking hold of Hiranyakashapu

Ganesha in Playful Mood with his Ganas
(Ganesh Means Lord of Shiv Ganas)

After he came out of the dream, He immediately ordered for culmination of the proceedings and started his search for the person named Poosalar. He was informed that Poosalar lived in a place called Thirunindravoor.

Vishnu's Trivikrama Pose

When King personally arrived at Thirunindravoor and went about enquiring about Poosalar, he was mystified to know that Poosalar lived in Poverty and didnt even had a proper place to live.
On the question of a new temple , Villages were totally unaware on any sort of new temple coming up in the vicinity.

Shiva in Peaceful Mood

Even though Puzzled , Rajasimha having complete faith in Lord Shiva's words sought meeting Poosalar in person and was taken to him who was meditating under a tree. After King informed Poosalar of reason behind his presence, Poosalar face was brimming with happiness.

What Poosalar told next surprised everybody in vicinity particular King. He informed that the he was indeed building a temple for the Lord but that temple was in his heart and that he had planned to consecrate the lord in the temple on the day when King Rajasimha had planned. Infact Poosalar was building step by step a grand temple in his heart and Mind.

Listening to Poosalar , the king realized his mistake of being egoistic. Lord had enlightened him on the power of pure devotion which is devoid of any grandeur or riches. Rajasimha took the task of building exact replica of temple that Poosalar had in his mind and gave the name 'Hrudhayaleeswarar' ( One Who lives in Heart) to deity.

This act of pure devotion had placed Poosalar and Rajasimha among the Sixty four Nayanmars (Ardent Shiva Devotes in the Periyapuranam)

Then what are you waiting for ? Go On ..Take a dive in the Ocean of Art and Enjoy the Poetry in Stone !!

As always request you to share your views !!!

A Special Note of Thanks :
I would like to thank my Good Friend Vijay (http://www.poetryinstone.in/) for his Continous Support and Motivation.

Reference:

Pallava Architecture - Alexander Rea
http://en.wikipedia.org/wiki/Kanchipuram
http://www.art-and-archaeology.com/india/kanchipuram/kai01.html
http://en.wikipedia.org/wiki/Pallava_grantha
http://en.wikipedia.org/wiki/Pattadakal
http://en.wikipedia.org/wiki/Narasimhavarman_II
http://dharsanam.blogspot.com/2008/03/thiruninravur-sri-hridhayaaleeswarar.html
Official website of Kanchipuram: http://kanchi.nic.in/
Tourist information: http://www.kanchipuram.com/

Vishnu Temples in Tamil Nadu (Courtesy:The Hindu)

2009-07-23T16:20:00.005+05:30

Srivilliputtur

•	Divine home of the Saint-Poetess (20031017)

Aaymur

•	Another abode of Lord Venkateswara (Lord Venkata Varadaraja temple in Aaymur, near Thirukkuvalai, in Nagapattinam district) (20021004)

Agaram

•	Sri Anjel Perumal temple (20050729) New

Akkur

•	As holy as Tirumala (Ambujavalli Nayikaa Samedha Lakshmi Narayana temple, 20 km from Kachipuram) (20020510)

Ananthakrishnapuram

•	Unsung but not forgotten (Lord Lakshminarayana in Ananthakrishnapuram village near Tirunelveli) (20021227)

Avaniyapuram

•	Five Lords of a hill temple (Located near Wandavasi in North Arcot district) (20040430)

Bikshandarkoil/Thirukandiyur

•	Temple for the Great Trinity (Bikshandarkoil and Thirukandiyur are two places where Siva, Vishnu and Brahma are seen near each other.) (20030321)

Chennai

•	Sri Lakshmi Balaji temple, Pallikaranai (20050701)
•	Sri Parthasarathy temple, Tiruvallikeni (20050211)
•	Sri Lakshmi Nrisimha Temple, Maraimalai Nagar (20050211)
•	The benign radiance of Gitacharyan (Sri Parthasarathy Swamy temple, Tiruvallikeni) (20040521)
•	Sri Srinivasa Perumal Temple, Keelkattalai (20040521)
•	Where sage Brighu did penance (Sri Madhava Perumal Temple, Mylapore) (20040507)
•	Eighty years of majestic presence (Srinivasa Perumal temple, Mylaore) (20040423)
•	Srinivasa Perumal Temple, Mylapore (20030603)
•	Srinivasa Perumal temple, Purasawalkam (20030424)
•	Golden Satari for Udaiyavar (20030418)
•	Twin temples of Koyambedu (20030403)
•	Sowmya Damodara Perumal temple, Villivakkam (20030306)
•	Yoga Narasimha Temple, Velacherry (20030206)
•	Lord Varadaraja temple, Virugambakkam (20020520)

Chettipunnyam

•	Captivating deities at Chettipunnyam (Devanathaswami temple) (20020913)

Coimbatore

•	Sri Varada Anjaneya temple (20040730)

Devadanam

•	Sri Ranganatha temple in Devadanam village, Ponneri taluk, Tiruvallur (20040604)

Elanagar

•	In need of attention (Elanagar Perumal Koil -- 25 km from Kanchipuram in Uthiramerur taluk) (20041015)

Gunaseelam

•	Akin to Tirupati (Sri Prasanna Venkatachalapathy temple -- 15 km southeast of Musiri in Tiruchi dist.) (20040402)
•	For those in search of solace (Sri Prasanna Venkateswara temple) (20010706)

Kalyanapuram

•	Sri Srinivasa Perumal temple (20050610)

Kanchipuram

•	Kanchi temple in need of renovation (Devarajaswami Temple) (20040514)
•	The great Light of Thiruthannka (The Deepaprakasar temple, Thooppul) (20030815)
•	Reviving the glory of Pelapur temple (Lord Keerthinarayana) (20030627)
•	Triad of sacred spots (20030110)

Karappankadu

•	Birthplace of Vaishnavite saints (Karappankadu temple can be reached by travelling via the Mannargudi-Pattukkottai bus route) (20030530)

Krishnapuram

•	An interesting temple tale (Sri Jayaveera Abhayahastha Anjaneya temple near Kadayanallur) (20030103)

Kumbakonam

•	Sri Ramaswamy temple (20050128)

Kundrathur

•	Sri Thiru-Uraga perumal temple (20050325)

Kurumbur

•	Picture of neglect (Adi Narayana Temple at Kurumbur in Tuticorin district) (20021227)

Madurai

•	Festive time at the city of temples (Kallazhagar temple) (20000421)

Maduranthakam

•	Maduranthakam — unique and significant (Aeri Katha Ramar temple) (20020809)

Manimangalam

•	Ancient shrines near Sriperumbudur (Sri Rajagopala swamy) (20030509)

Mannarkoil

•	Sad state of a glorious shrine (A Vishnu temple near Ambasamudram) (20030418)

Mannarkovil

•	SRI Vedhanarayanar Rajagopalaswami Kulasekara Azhwar temple (2 km from Ambasamudram in Tirunelveli dist.) (20050311)

Mavattakkudi

•	Sri Venkatachalapathy temple in Tiruvarur district (20040514)

Melasevel

•	Sri Navaneethakrishnan temple (16 km from Tirunelveli to Ambasamudram road) (20050218)

Nachiyar Kovil

•	Where the Lord came seeking His bride (20050408)

Nagapattinam

•	In all His enchanting grace (Soundaryaraja Perumal Temple) (20030912)

Nallattoor

•	The Saviour as an endearing child (Sri Anjaneya temple near Tiruttani) (20021011)

Namakkal

•	Rock-cut shrines of Namakkal (20021101)

Naranammalpuram

•	Srinivasa temple renovated (Lord Srinivasa situated five km east of Tirunelveli) (20030613)

Narasingapuram

•	Narasimha temple in ruins (Lakshmi Narasimha Perumal shrine near Arakkonam on the Chennai-Tandalam-Perambakkam Road) (20030509)

Nedungunam

•	Stands for Rama's noble qualities (situated 24 km from Arani in North Arcot district) (20040402)

Nemili

•	Many a tale behind the Lord's posture (Veetrirunda Perumal Temple) (20030926)

Nimishachalam

•	Eternal Bliss in a minute (Lord Santhana Venugopala near Sholinghur) (20031010)

Oothukkadu

•	Dancing on serpent hood (about 7 km from Thirukarugavoor -- in Papanasam taluk) (20040903)

Padur

•	Sri Prasanna Venkatesa Perumal: Destroyer of sorrows (near Ulundurpet) (20031003)

Pappanchavadi

•	Hanuman's special avatar as Annihilator (Lord Panchamukha Anjaneya near Pondicherry) (20030307)

Parikkal

•	Fearsome and loveable (Lord Narasimha near Villupuram) (20030808)

Pazhaiya Seevaram

•	Holy sangamam in the South (Lord Narasimha atop a small hillock, about 15 km east of Kanchipuram) (20020712)

Pazhaverkadu

•	Sri Adi Narayana Perumal temple (20041231)

Perumbakkam

•	Temple on land with unique distinction (Sri Venkata Varadaraja Perumal temple, near Villupuram) (20040409)

Pudunilai Vayal

•	Sri Rajagopalaswami Temple (About 2 km. from Kizhnilaikottai in Pudukottai District) (20040423)

Pullabhuthangudi

•	Glorifying the chivalry of Jatayu (Lord Valvii Rama temple near Kumbakonam) (20031017)

Punnainallur

•	Enchanting images of Sri Rama (Sri Pattabirama near Thanjavur) (20030418)

Sathyamangalam

•	Sri Venugopalaswamy temple (20050729) New

Sholingur

•	Great preceptor of Sholingur (Lord Lakshmi Narasimha) (20020927)
•	Twin temples that draw devotees (20001208)

Singaperumalkoil

•	Brahmotsavam at Singaperumalkoil (20030606)
•	For the sake of a child-devotee (Padaladri Narasimha Perumal temple) (20020510)

Singrikoil

•	Sri Lakshmi Narasimha Swami Temple (about 25 kilometres from Vellore) (20041105)

Srirangam

•	Sri Ranganathaswamy temple, Srirangam (20030825)

Thailavaram

•	Sri Kalyana Anjaneya temple (20050107)

Thatakanthapuram

•	Linked to the Ramayana (Sri Varadaraja Perumal temple near Nannilam) (20030905)

Therazhundhur

•	King with a flying chariot (Sri Amaruviappan with His Consort -- 21 km from Mayiladuthurai) (20041022)

Thiruaheendrapuram

•	Gorgeous outfit for deity (Sri Devanatha Swamy -- situated 3 km west of Cuddalore) (20040924)

Thiruayarpadi

•	Sri Karikrishna Perumal temple (three km from Ponneri) (20040903)

Thirucherai

•	Praised by Azhwar and Nayanmar (Lord Saranathan temple, 15 km from Kumbakonam) (20030829)

Thiruchirupuliyur

•	Saranagatha Rakshaka Perumal temple (Situated 16 km south of Mayiladuthurai) (20041126)

Thirukurungudi

•	Hailed by the Azhwars (20040827)

Thiruvallur

•	Crowning glory for the Tiruvallur deity (Lord Veeraraghava) (20020405)

Thiruvellarai

•	Thiruvellarai — land of the white boar (20050325)

Tirumeyyam

•	Temples that reverberate with history (Pallikonda Perumal) (20021004)

Tirumukkudal

•	Sri Venkatesa Perumal temple (in Kanchipuram dist.) (20050204)

Uthiramerur

•	Democracy of a high standard — ancient example (Sri Sundaravaradaraja Perumal temple) (20031010)

Varagunamangai

•	The Lord lays stress on Supreme Devotion (Lord Vijayasanar two km east of Srivaikuntam in Tuticorin district) (20031010)

Vatarangam

•	Vatarangam, seat of Hari and Haran (Lord Ranganatha and Goddess Ranganayaki shrine near Sirkazhi) (20030418)

Yanaimalai

•	The cave temple at Yanaimalai (Yoga Narasimha Perumal temple, eight km from Madurai, on the road to Melur) (20030822)

Indian Heritage Links from "The Hindu" (Courtesy: www.ponniyinselvan.in)

2009-07-23T09:24:00.003+05:30

Heritage Links from The Hindu

Periya Puranam -The Great Epic

2009-06-10T13:06:00.006+05:30

Recently I had completed the reading of condensed and translated version of Periya Puranam published by Ramakrishna Math. I happened to see the book at their stall in Chennai Central Station. Going through the pages of Periya Puranam , an epic that traces the legendary lives of the Sixty-three Nayanars, the canonical poets of Tamil Shaivism.

It was compiled during the 12th century (reign of Kullottonga Chola II) by Sri Sekkizhar, a poet and the chief minister in the court of the the Chola ruler.

I would like to state that the whole experience of reading the book has been divine and self realizing. It brings out to the forefront real essence and mode of devotion shown by people from different aspects of live to the lord Shiva.One thing to note is that the Characters in the Periya Puranam are real and not fictional. Ample evidence is provided in the verses of the true existence and the places they visted in their lifetime.

Sekkizhar brings to forefront the lives of 63 ardent Shiva devotees who lived in different timelines and brings them into one place.It is one of the masterpieces of Tamil Literature and stands out distinctly among the epics. The fervour with which characters in the epic stands out with their path of devotion is hair raising.

Periya Puranam stands is a testimony that real devotion is over and above the ritualistic manners of the society and is not property of particular caste or creed. It reiterates again and again that the lord is what one makes of him and the lord is the one who becomes the slave of his devotess after enslaving the devotees at first.We see the different Forms of devotion. At one place we see the devotion of Sundarar to Lord as a Companion and that of Sambandar as a son.

Going through the pages I got totally involved in the storyline and felt being an eyewitness to the happenings. By mere reading only one feel blessed and pure,Such is the way the great Sekkizhar has written this epic. It is very hard keep the book down once you start reading it.

It is very difficult for anyone to not have a pure sense of Devotion flowing in self (Bhakti) after reading Periya Puranam.Please do have a glimpse of this gem of a book, a masterpiece and dive into ocean of devotion.

As always , your feedback is appreciated ! .

Further Reading and Links:

Sekkilaar, and G. Vanmikanathan. Periya Puranam — A Tamil Classic On The Great Saiva Saints of South India. Ed. Dr. N. Mahalingam. Chennai: Sri Ramakrishna Math

http://en.wikipedia.org/wiki/Periya_Puranam

http://en.wikipedia.org/wiki/Nayanars

For the Admirers Of Indian Art

2009-02-20T10:53:00.004+05:30

Hi everyone....

Let Me introduce you all to a bonanza of info on Indian Art and Architecture.

www.poetryinstone.in is a tremendous initiative take by Mr VJ to bring to the forefront droplets from the ocean of Indian Art and Architecture.

Let us all take a dip into this ocean and relish the effort of Mr VJ and wish him more success in his endeavor

Great Job Mr VJ.. Wish you all the best and hope you celebrate your 1000 posts very soon !

Forgotten Temple in Koramangala (Heritage)

2009-02-19T17:00:00.008+05:30

Being in Koramangala for more than 4 years, one thought was continuously nagging me for a long time. It all started through one of the articles in “The Hindu”.

There excerpts of the article as follows:

Forgotten Koramangala Laxmi Temple Built by King Kempe Gowda

“There is a heroic yet pathetic story about the fort. During the construction it is said that the southern gate would fall off no sooner than it was built and human sacrifice was indicated to ward off the evil spirits. A benevolent ruler like Kempe Gowda could not even dream of such monstrosity.

Realizing his plight, his daughter-in-law, Lakshamma, sacrificed her life at the southern gate in the darkness of night. Today the gate and the fort are no longer there, but her memory finds expression in a temple in her name in Koramangala. “

Link: http://thehindujobs.com/thehindu/mp/2002/07/18/stories/2002071800480200.htm

Even though there were many mention of the above tale but there was no mention of the exact location. I tried many sources to pin point the exact location but all of no avail.

After about four year of reading the above article, Answer came in a most unexpected way while inquiring in Koramangala's Anjaneya temple. A gentleman came from behind and informed that the temple I was inquiring is in Koramangala Village, on the lane besides Safal Store (Opp. Passport Office) and near to Bajaj's Popular Showroom.

When i reached the spot I saw that Temple has been totally encroached upon and is literally struggling for its survival. The temple was close. During my next visit also I found the temple closed. When I tried to find about the temple timings, I was told that the temple only opens on Friday morning and that too for a short period of time.

Hope I will be lucky next time to visit the temple when it is open.
Watch this space for further updates after my fruitful visit to Temple.:-)

My visit to Kanva Reservoir (Bangalore Outskirts)

2009-02-09T09:46:00.001+05:30

Recently I visited the Kanva Reservoir off Mysore Road. The place is serene and peaceful.

City of Djinns by William Dalrymple – Delhi's History Simplified.

2009-01-05T17:30:00.000+05:30

Delhi,the capital of India ! Being one of the oldest cities in the world, Delhi has reincarnated many times under different rulers. Even though there are many books written on Delhi’s History but none more interesting that “City Of Djinns” by William Dalrymple.

The author is an award winning journalist who is known to be a great admirer of India. He has many accolades to his name like being awarded 1994 Cook Travel Award. William has written many books on India and its history.

Coming back to our book, if you thought history was boring … Then this book is for you. A book written in such a simple manner that reading this one is a real pleasure mixed with realization of adding impressive knowledge to you.

In this books author narrates his journey with the support of Djinns (Spirits) who are said to be residing in Delhi as per beliefs and needs to be taken care of. In reality these Djinns are nothing but the representation of many pasts that made Delhi what it is and still forms the integral part of the city.

The book follows the “first person” mode of narrating the story. Being the first hand account of the author and his wife’s “expedition”, readers get more involved in the each stage of the storyline. Written with an immaculate precision of a professional historian, that will urge the readers to visit the places mentioned in the book (Even if you have visited it before).

The tactful job of moving back and forth from past to present is very intriguing. Gifted with an extraordinary writing skill to grab the attention of the reader at every word, the author takes you into the times of Mughals and the Raj. Our Imagination skills are put to the best use while reading this book.

Right from the interesting character of Mrs. Puri, the lady in whose house the author stayed to dealing with Government employees, the author takes us into a fascinating journey. Through the journey author connects the past to present and tries to infer whether Delhi was better than or now. After reading this book you will start loving history and will be exploring more.

Being a person living in close vicinity to Delhi for a long time, I was introduced to places which were totally unknown to me and many Delhiites.

I will not be able to do full justice to this book in few words. My main aim is to make you aware of this book which is a real masterpiece and is worth your time.
It is very difficult to categorize this book under a Caption…. From one point of view it looks like a travel book and from other it’s a history book

If you are visiting Delhi or planning for one, this book is a must read. For others this will make you visit Delhi.

In right sense this is a "Discovery of Delhi" !

Happy Reading !

Philately - The Most Interesting Hobby

2009-01-01T16:13:00.000+05:30

Philately or Stamp Collecting is one of the world's oldest hobbies and the most popular one.As a nurturing hobby, it provides us with a huge insight into the history, flora, fauna and Current affairs of a Country.

More on philately can be found on the following Link: http://en.wikipedia.org/wiki/Philately

Stanley Gibbon s is the authority in cataloging all the major postage stamps issued till date in the world and is a excellent place to start learning on the stamps of various countries.

In today's world if one wants to inculcate the habit of collecting stamps, there are many avenues to explore. Internet, a blessing in disguise has given lots of choice for Philatelist of all levels (be it an Amateur or Professional).

I personally have used the web to buy the stamps of all kinds, mostly from the source itself i.e.
Postal Department of the country. I felt that Singapore Post and US Postal Service site are one of the best Sites to shop online.Many other Countries postal departments also have the option of buying online but I am yet to explore them.

We should be always careful in choosing the seller as there are counterfeiters here too. Therefore buying from the source itself is one of the best and safest options. As Unmarked Stamps are called Mints due to their monetary Value like that of a currency.

Honestly speaking Indian stamps are one of the most diversified in the world, as it possesses rich history, culture, flora and fauna. it also one of the most sought after in the world. If you want an uninterrupted supply of all the Current stamps with First Day Covers Etc, you can open a Philately Deposit Account with your nearest General or Head Post Office. More info can be found at http://indiapost.gov.in/Philately.html

If you have somebody already into stamp collecting around, then nothing betters it. Most of the professional philatelist started at a small level. A self taught Hobby, it doesn't not require much learning or supervision. A interesting choice altogether.

So what are you waiting for??? Start Collecting Now !!!

Book Review: South Indian Shrines by Jagadisa Aiyar P V.( An Excellent Read ! )

2008-12-27T22:29:00.001+05:30

Temples in India are not just a place of worship, it is a repository of the times, people, rule and economy it was built around.

While visiting these ancient temples we come across many inscriptions, most of which are not in a language commonly used or ancient ones. These inscriptions always generate a curiosity in us to know what these numerous inscriptions hold in them. The most frustrating part of knowing the information is that the priests in most of the temples are not aware of what is written.

The eagerness to have information about these inscriptions led me to do some "Site" searching on the web. What I came across was not less than a goldmine.Good things come in small packages it is said and for me it came in a book written during 1920's by Mr. Jagadisa Aiyar PV titled South Indian Shrines. This book illustrates and enumerates several inscriptions of ancient South Indian temples in plain English. Being full of inscriptions including the ones which have vanished due to passage of time and of blind renovations carried out in our temples can be still found in this book.

Not being in print for a long time and nearly lost, this treasure was brought to life by Asian Educational Services (A publisher involved in reviving old and lost books on Subcontinent) and is now available in print in major bookshops.

A boon for any Epigrapher interested in Indian temples and is a must buy for an amateur epigrapher like me.

The book has some rare (bit hazy) photographs of south Indian temples but the vivid explanation of the inscriptions with the background is what makes this so special.

This is really a worthy contender for our bookshelf.

The book has some rare (bit hazy) photographs of south Indian temples but the vivid explanation of the inscriptions with the background is what makes this book so special and a worthy contender for your bookshelf.

Rather than me telling in detail about this book, I would like you all to have a read.

You can also buy these book online also at sites like A1Books.co.in, Amazon.com,Flipkart, Gobookshopping.com, Rediff Books. I got mine from Rediff Books Site.

There is also a limited preview of this book on Google books:

http://books.google.co.in/books?id=NLSGFW1uZboC&printsec=toc&dq=south+indiAN+shrines+%5D&source=gbs_summary_s&cad=0

I am sure that you will love this book!

Happy Reading !

Temples In and Around Chennai ( A must See !!)

2008-11-07T15:27:00.000+05:30

http://dharsanam.blogspot.com/

A Treasure trove of Articles on Indian Art and Architecture

2008-10-17T17:45:00.000+05:30

Frontline Magazine regularly has interesting articles on Indian Art.

Below are few of the links that I have Compiled (Will Update Regularly) :

http://www.frontlineonnet.com/fl2501/stories/20080118504906500.htm

http://www.flonnet.com/fl2504/stories/20080229503906500.htm

http://www.hinduonnet.com/fline/fl2418/stories/20070921505506600.htm

http://www.frontlineonnet.com/fl2416/stories/20070824507606600.htm

http://www.frontlineonnet.com/fl2417/stories/20070907505406400.htm

http://www.frontlineonnet.com/fl2419/stories/20071005505506600.htm

http://www.frontlineonnet.com/fl2420/stories/20071019505206400.htm

http://www.frontlineonnet.com/fl2421/stories/20071102504206400.htm

http://www.frontlineonnet.com/fl2422/stories/20071116504306400.htm

http://www.frontlineonnet.com/fl2423/stories/20071207505906600.htm

http://www.frontlineonnet.com/fl2424/stories/20071221505406500.htm

http://www.frontlineonnet.com/fl2425/stories/20080104242506600.htm

http://www.frontlineonnet.com/fl2502/stories/20080201505906500.htm

http://www.frontlineonnet.com/fl2503/stories/20080215250306500.htm

http://www.frontlineonnet.com/fl2504/stories/20080229503906500.htm

http://www.frontlineonnet.com/fl2505/stories/20080314250506600.htm

http://www.frontlineonnet.com/fl2506/stories/20080328250606500.htm

http://www.frontlineonnet.com/fl2507/stories/20080411250706800.htm

http://www.frontlineonnet.com/fl2508/stories/20080425250806300.htm

http://www.frontlineonnet.com/fl2509/stories/20080509250906400.htm

http://www.frontlineonnet.com/fl2510/stories/20080523251006400.htm

http://www.frontlineonnet.com/fl2511/stories/20080606251106600.htm

http://www.frontlineonnet.com/fl2512/stories/20080620251206600.htm

http://www.frontlineonnet.com/fl2513/stories/20080704251306500.htm

http://www.frontlineonnet.com/fl2514/stories/20080718251406500.htm

http://www.frontlineonnet.com/fl2515/stories/20080801251506600.htm

http://www.frontlineonnet.com/fl2515/stories/20080801251506600.htm

http://www.frontlineonnet.com/fl2410/stories/20070601004907400.htm

http://www.frontlineonnet.com/fl2410/stories/20070601000106500.htm

http://www.frontlineonnet.com/fl2518/stories/20080912251806500.htm

http://www.frontlineonnet.com/fl2519/stories/20080926251906600.htm

My Visit to Kumbakonam

2008-09-29T14:34:00.000+05:30

Beautiful Weather for the Exploring the heritage

The Majestic Chola Temple at Gangaikonda Cholapuram
(Erstwhile Chola Capital)

HariHara at Gangaikonda Cholapuram
(Left Part Shiva and Right Part Vishnu)

Lion-well (Simhakeni) at Gangaikonda Cholapuram

Restoration Work going on at Gangaikonda Cholapuram

Majestic Chola Temple at Gangaikonda Cholapuram

Height Comparison of Nandi at Gangaikonda Cholapuram

Musical Steps - Darasuram
( Xylophone in Stone)

Conjoined Triplets in Darasuram
(See the legs)

Gautam Buddha in a Chola (Darasuram) Temple -

Shows the advent of Buddhism in South India

Beautiful Painting on the Ceiling of an Old Rama temple Near Kumbakonam
(Vegetable and Plant extracts used as colours)

Karnataka ! Truly Many Worlds in One .

2008-05-09T08:52:00.000+05:30

Some of the snaps on Karnataka from my collection !

Exquisite Carvings at Somnathpur !!! A delight for eyes

Exquisite Carvings at Somnathpur !!! A delight for eyes

Before and After ! See the Craftsmanship

Gopalaswamy betta

Breathtaking Sharavathi valley on the way to Jog Falls. (During Monsoon)

Breathtaking Sharavathi valley on the way to Jog Falls Once More....

A Scenic View en route Goa

Jog Falls Beckons

Beautiful Karwar Beach

Ancient Veedhi Narayana Temple being rebuilt block by block at Talakadu

River Cauvery at its best at Talakadu

Grantha Lipi - Ancient Literary Script of India (Good Links)

2008-02-15T14:36:00.001+05:30

Some Goods Links on the above Subject

http://www.mudgala.com/articles/grantha.html

http://www.ancientscripts.com/grantha.html

http://dsal.uchicago.edu/digbooks/digpager.html?BOOKID=PK419.V468_1983&object=1

http://www.ambaa.org/pdf/index.html

en.wikipedia.org/wiki/Grantha_script

Fantastic Websites on History and General Knowledge

2008-02-11T16:37:00.001+05:30

http://www.ancientcivilizations.co.uk/home_set.html
http://www.ancientchina.co.uk/menu.html
http://www.ancientegypt.co.uk/
http://www.ancientindia.co.uk/
http://www.earlyimperialchina.co.uk/
http://www.mesopotamia.co.uk/
http://www.mughalindia.co.uk/room.html

Somnathpur : A Marvel Beyond Words

2008-02-10T14:47:00.000+05:30

"A Picture Speaks a Thousand Words"

Instead of giving the feel of this beautiful place in Words which will not do justice , I thought it would be appropriate to let the pictures speak for themselves

Sri Anjaneya Temples in Bangalore

2008-01-29T15:49:00.000+05:30

Bangalore is home to many temples , Ancient and New.

In Particular , there are many temples dedicated to Lord Anjaneya or Hanuman. I will be listing few of the temples I know of in Bangalore in this post.

Gali Anjaneya temple -Said to be the oldest one in Bangalore is on the Mysore Road, said to be established in 1425 by Vyasaraya. It is said to be the sixth of the 635 Anjaneya temples consecrated by Vyasaraya,

Ragiguda Anjaneya Temple at JP Nagar (Atop a Hill Near Woodys/ Jayanagar East End)

Ancient Anjaneya Temple at Banaswadi

Veera Anjaneya Temple at Mahalaxmi Layout (Near ISCKON Temple)

Anjaneya temple at Yelahanka Gate (Near Mysore Bank)

Karanji Anjaneya at Basavanagudi (Behind BMS Law College)

Anjaneya Temple at Hanumanth Nagar (Atop a hill)

Anjaneya Temple at Bazaar Street in Ulsoor

Ancient Anjaneya Temple at Domlur (Near Rama Temple Off Airport Road)

Anjaneya Temple in Madiwala (On Hosur Road) - Big Anjaneya

Anjaneya Temple on Aghara Circle (Outer Ring Road) - If the above one is big, then this is Huge

My Visit to an Ancient Temple - Sri Someshwara Temple in Old Madiwala (Bangalore)

2008-01-24T14:06:00.001+05:30

Few months back, I had the opportunity to locate one of the long forgotten heritage of the Bangalore City.

In the by lanes of Old Madiwala, near Silk Board/Dollar Colony lies the Ancient Someshwara Temple. This temple is more than 800 year old and was built by Chola Kings

The whole Madiwala, Silk Board Area, Madivala Lake and Maruthi Nagar once belonged to the temple.

The temple houses a "Swayambu" Shiva linga in it Sanctum Sanctorum (Shiva lingam formed by natural Rock Formation). But unlike other ancient temples which I visited in Bangalore , this temple is in good shape and cared well by people around. This shows the real strength people have in protecting our heritage without outside help.

I came to know from the priest that renovation work was done during 2004, before that temple was in very bad shape. Many of the inscriptions which temple once had are lost in sands of time but still the temple has been renovated with proper guidance.

This temple also has the word Bengaluru inscribed in one of its Wall stones inscriptions which survived to tell the tale of the temple , about the rulers and assets it once owned

When one hears of Someshwara temple in Bangalore , only Ulsoor temple comes into our minds but this temple built by the same dynasty(Cholas) and time is not known to many. Even for the people residing near it. The same dynasty had built Ulsoor Someshwara temple and Begur Pancha Lingeshwara Temple

I request all those interested in preserving our heritage to have a visit once to this temple.

Your feedback and suggestions are highly appreciated.

Please find below some Articles on the temple

http://www.deccanherald.com/Archives/jan222004/metro3.asp

http://www.hindu.com/2004/08/20/stories/2004082016400300.htm

(Origin Of Word: 'Benga-val-oru', the City of Guards in old Kannada)
http://en.wikipedia.org/wiki/History_of_Bangalore

History and Origin Of Madivala and its Lake
http://timesofindia.indiatimes.com/articleshow/42766601.cms

Shirdi Sai Baba Temple in Koramangala (Bangalore)

2008-01-24T14:05:00.002+05:30

Dear All,

Shirdi Sai Temple in Koramangala 7th Block will be celebrating its 2nd Year Anniversary on 7 Feb 2008.

Temple Address :
Sri Someshwara Temple/Sadguru Sai Temple
1st Main Road , 7th Block , Koramangala

Route :
Take the Road Beside Robert Bosch (Opp Forum) or
Take the Road Beside Adayar Ananda Bhavan , Koramangala (Opp HDFC Bank)

Mother ! The Great.

2008-01-22T14:58:00.002+05:30

"All that I am or ever hope to be, I owe to my angel Mother."
-- Abraham Lincoln (1809-1865)

The thoughts I am going to share and dwell upon today are best summarized by the above quote by Abraham Lincoln.

Being far away from home for a long time, I realized the true value of my mom after shifting to Bangalore.First haunted by emptiness then by Absence of my family, especially, my mother. Her never dying love and affection, had created such a vacuum in my life which could not be filled up by anyone else.

After a while, I began to realize the fact that we never understand and recognize the real value of our loved ones and we take their affection for granted. Reality hits us on the face when we have to live being detached from them.

Not being with my loved ones, I understood and realized that accessibility of many aspects in life, especially, the love and affection of our parents, are to be cherished and preserved . If we assess the importance of mother's love deeply, we will find that “Greatness of our Mothers lies in the simple fact that the pain of bearing us was not a pain at all. In fact, it brought the joy of bearing a life inside.”

We may feel burden by wearing an extra pullover in winter, but think of our mothers who irrespective of seasons and situations took utmost care and precautions for us even before we were born. For a mother, her child(ren) are the best in the world.

The famous cliché - “A face only a mother could love.” , a clear testimony to mother’s unconditional love. (the cliché used in depicting unpleasantness holds a pleasant truth within it).

We can find a number of instances in history and among us which depicts the greatness of motherhood. But I think we don’t have to look far as we can see a living example in our own lives.

After the realization, I made it a point to always express my gratitude each and every time I speak to her. I believe that this small token of gratitude is nothing and not even enough when compared to the priceless love and affection of a mother that is always there, even if you are living miles away.

As always I will like to have feedback and suggestions !!

Light from Many Lamps -Lillian Eichler Watson , A Gem of a book

2008-01-21T16:19:00.001+05:30

My "tryst" with the above mentioned book started while watching a TV interview of India's former president Mr APJ Abdul Kalam , when the interviewer asked him "what did you buy from your first Salary?"

The reply was " A Second hand edition of the book LIGHT FROM MANY LAMPS - L Watson and a gift for his father" (Not to Quote)

Immediately it struck me that if a wise man like Kalam sir had brought this book from his first Salary, then it must be really good.

Next Day I went about purchasing the book from a bookshop near my place and had a glance through it.

The striking feature of this book was its nicely divided sections for different facets of life like happiness , work etc.

It is not too textual and contains inspiring quotes and short poems from many different sources.

Most of the quotes and poems have been elaborated by giving their history of origin.

I still have to go through the book completely but I think one should not read this book in a hurry but contemplate after reading each quote or poem.

One can achieve full utility from this book only when one compares and implements the goodness this book holds.

Believe me this book is one to cherish and to be kept along for all times.

It is easily available in all major bookshops. and cost around 270 Rs.

I would like to have your feedback on the book once you read it.

Amazom.com Links : http://www.amazon.com/Indian-President-Abdul-Kalams-List/lm/2ZRSH7OVCTYLE/ref=cm_lmt_srch_f_1_rsrsrs0

http://www.amazon.com/Indian-President-Abdul-Kalams-List/lm/2ZRSH7OVCTYLE

My visit to an Ancient Temple - Basavanna Temple Mamulpet

2008-01-18T18:58:00.000+05:30

This time my visit to the temple was by sheer luck

Tucked Inside the corner of the Busy Avenue Road, Right in Middle of Mamulpet (literally as it on the Middle of the Road) is the ancient temple of Basaveshwara / Basavanna. I came to know about this temple during my periodical visit to Mamulpet for buying Incense Sticks (The place is very famous for Incense Sticks)

Previously I just went past the temple without having much interest.

But after my previous visit, I read a article in The Hindu which stated the place where Kote Venkateshwara temple (Fort Area) stands there used to be a Shiva temple which was shifted to Mamulpet.

After reading this article I could make out that it was the same temple as the structure of the temple in Mamulpet is very old.

The Excerpts and link of the Article:

http://thehindu.com/thehindu/mp/2002/08/29/stories/2002082900270200.htm

"Kote Venkataramanaswamy temple was built by Chikkadevaraya in 1690 and the Basaveshwara there was shifted to Mamulpet. Possibly, they forgot to shift the scenes from Girija Kalyana on the sanctorum walls along with Basaveswara. "

This time I made up my mind that I will have a visit to the Temple. But due to circumstances I had to visit the place during noon. To my disappointment the temple was closed and I gave up the thought.

I went ahead with my primary task of purchasing. After returning from the shop to my Amazement I saw that the temple door Open. I approached the main door and enquired the Security Guard there about the place.

Looking at my curiosity may be, he took me inside and showed the Idol. Later I came to know that door was opened just for few minutes for the purpose of shifting some Materials inside. I really felt lucky to have got a chance to see the Lord and thanked the Lord and Security Guard.

Description of the Temple:

What remains of the temple is just the main structure (A Hall) containing the Sanctum Sanctorum. The main beauty or the specialty of the temple is the Shivlinga is placed between the horns of the Nandi and Nandi is in the Main Sanctum Sanctorum itself. Once this temple may have been a big structure but now it stands a single structure in middle of the road (Basavanna Road after the Temple).

If you are in the vicinity of Avenue Road Area, Do try to visit this forgotten Heritage of Bangalore.

Landmark : Near NSK shetty's Incense Maker in Mammulpet ( Ask for Basvanna Temple in Mammulpet) Off Avenue Road . Near from KR Market Bus Stand

Compilation of Links on Bangalore's History and Heritage

2008-01-18T17:37:00.000+05:30

My Visit to An Ancient Temple - Chokkanathan Temple , Domlur

2008-01-18T16:17:00.004+05:30

Continuing on my curiosity and liking for exploring the hidden and forgotten heritage sites of Bangalore An article in Deccan Herald prompted me to visit a temple in Domlur .

This blog is on perhaps the oldest and ancient temple in Bangalore encompassed by congested vicinity of Domlur.

The notes in article which heightened my curiosity were :

The temple is dedicated to Lord Vishnu built by the rulers of Chola dynasty who were mainly followers of Lord Shiva
The Lord is known as Chokkanathan, a name attributed to Lord Shiva
The main idols in sanctum sanctorum are made of Saligramam, a rarity
Historically, it also tells the reign of the Chola dynasty

I decided to visit the temple. But there was a problem. Majority of people I knew in Bangalore didn’t seem to know about the temple. But finally after lot of enquiry I got a fair indication on the location of the temple from one of my friends in Domlur.The temple was at a high base and seemed to be renovated recently. After climbing small steps we reached the entrance. Near the entrance there was a portrait depicting the state of the temple as on 15th August 1947 (India’s Independence Day). Only a mound with entrance existed then.

The idol is small but very beautiful and the place has some thing special about it. There is also a very old Anjaneya temple near the Chokkanathan temple which is worth visiting. The head of Anjaneya is said to be at the level of Lord Chokkanathan’s feet.

The temple had suffered the ravages of time but now has been restored.

I would request all those, who are interested in cherishing and preserving our ancient heritage to visit the temple at least once

Landmark to visit the temple : The Road Besides Steve's Gym on Airport Road (Domlur) opposite New Shanti Sagar leads to the temple.

Please find below the link to the Deccan Herald article and other Links :

http://archive.deccanherald.com/Deccanherald/apr192004/metro9.asp

http://www.vishnutemplesofkarnataka.info/Bang/Chokanarayana.htm

My Visit to an Ancient Begur Temple - Sri Panchalingeshwara Temple

2008-01-18T13:51:00.010+05:30

When One thinks of Bangalore , the first thing that comes to mind is a Hi-Tech city.But behind this Glamor and Glitz there exists a city full of rich heritage waiting to be explored and cherished.

I will be taking up different aspects (Temple and Monuments), Which I have explored or will be exploring in this blog.Let me start with my visit to one of the oldest temple in Bangalore , rich in History and spirituality

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My Visit to ancient Temple of Sri Pancha Lingaeshwara Temple,Begur

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Entrance to the Main Hall of the Begur Temple

It all strted when I stumbled upon an article of this temple while surfing on the web for Bangalore history. The article was very informative and briefed me on the oldest mention of the word "Bengaluru" which is found in an inscription at this temple of "Begur".

Reading the article tickled my inquisitive cells and I decided to explore more on the temple.

In the beginning I faced some problems in pin-pointing the location but as usual the web came to my help, by providing a link to another article that had loads of information. The information I needed and more . I immediately got motivated to visit the place which was off Hosur Road (on Begur Road,Bommanahalli)

The Journey Begins....

On a misty Sunday Morning, Me and my friend embarked upon the "exploration" on a bike . After taking the turn for Begur road off Hosur Road, we understood that we are going to have a rough ride ahead.

It seems there was a road among potholes and not the other way around. After a lot of maneuvering and inquiring, we finally reached the place. From a distance itself the temple had a look of antiquity.

The entrance to the temple was through a small gopuram. (Which has been replaced by a new one now).The proximity to the Begur lake added to the Charm.The temple basically consists of 5 Shiva lingas, each having its own specialty with its own special meditation spots..

The surroundings gave us a soothing feeling of serenity and warmth.Fortunately we reached at the time when Aarthi (Showing of Burning Camphor to the God) was to be performed for all the lingas.

After the Aarthi got over , we inquired about the temple past.The priest (the 15th Generation of the Priest Family of Temple) informed us about the temple . It is believed to be more than 1000 years old and received the patronage of Gangas , Cholas and all the dynasties that followed.

The environment encompassing the temple is of peace and serenity. One really feels calm and cool just by visiting the place esp. in the early mornings. Far from the crowd and congestion of the city , the temple is a wonderful, peaceful and serene place to visit .

There are few places where you get the feeling of Peaceful Bliss and this is one of those places.The place where you can speak to your inner self and get a kind of unexplainable comfort. Do visit this place when you can get time.

Just to enumerate particular and unique info about the temple :

Boasts of Five lingas , each having its owns specialties.
One of the Oldest Ganesha idol in south is in the temple
In the temple you will the oldest mention of the world of "Bengaluru" in Stone slab.
Inscription is much older than the famous story of Benda Kadalu.
The slab is in a neglected state and needs immediate attention.
Temple is a Bhaskara Shetra ( Sun God ).
Temple has a rich history and received the patronage of many rulers.

Special Days :

Maha Shivratri : celebrated every year on the 13th night/14th day in the Krishna Paksha (waning moon) of the month of Maagha (as per Shalivahana) or Phalguna (as per Vikrama) in the Hindu Calendar (that is, the night before and day of the new moon).

Pradosham : Occurs once in every 15 days and considered most auspicious by Shaivites, almost 2 days before either Amavasya (black moonday) or Pournima (full moon day).

Note : The best time to visit the temple is 7:30 AM in the morning and 6:00 PM in the evening. Temple has a bus stop in its name in Begur . There are many buses which ply from KR Market and other areas to Begur. (343 Series of BMTC Buses Ply on this Route)

Some of the temple's Historic relics are housed in Bangalore Museum (Next to Vishweshwaraya Industrial & Technological Museum)

P:S: A Very useful link www.puzha.com/puzha/selfpublish/1092802792.html

Update:During my second visit to the temple I learnt from the priest that there are two other temples of the same antiquity and style at Nandi Hills. i.e.Bhoganandeeswara temple and Yoganandeeswara Temple.

I have not personally visited these temple at Nandi Hills but will like to do the same in near future. I would appreciate if anyone can share more detailed info and experience on these temples at Nandi Hills.